Entrance to the Treasury (Al Khazneh), a stunning piece of Nabataean architecture in Petra, Jordan (by IANLAYZELLUK).
Dr. J. Robert Oppenheimer (Father of the atomic bomb)
Truly the face of a haunted man.
Photochrom of the Great Sphinx at Giza c. 1900s
A noblewoman from the Khalka people of Mongolia. Photo taken circa 1908.
art history meme. 3/7 sculptures & other media
The Temple of Seti I at Abydos, Egypt.
This temple consists of seven sanctuaries lined up in a row, each of which are dedicated to a different deity (the southernmost of these honours 19th Dynasty Pharaoh Seti I himself). The purpose for the construction of this building was to act as a funerary shrine for Seti I, as confirmed by the name of the building: "The house of millions of years of the King Men-Ma’at-Re [Seti I], who is contented at Abydos." Although he was actually buried in the Valley of the Kings at Thebes, Seti followed the royal tradition of constructing a second funerary complex at Abydos -the cult centre of the Egyptian god Osiris.
The bas-reliefs of this temple are some of the best persevered from ancient Egypt, and many retain the original paint work. A classical, traditional style is evoked by the raised relief decoration carved under Seti I on fine white limestone.
From north to south, the temple is dedicated to the following Egyptian deities: Horus, Isis, Osiris, Amen-Re, Re-Horakhty, and Ptah. Seti restoring the worship of the traditional gods of Egypt after the Amarna period could explain this combined dedication. The aftermath of the Amarna period is also reflected in the "king’s gallery". This is a rather selective list of legitimate pharaohs from Egyptian history, with the names of Akhenaten, Smenkhkare and Tutankhamen excluded -as though erasing their reigns from recorded history.
The first photo was taken by Irene Soto, and the rest by Kyera Giannini, all courtesy the New York University Institute for the Study of the Ancient World via Flickr. When writing up this post, Kathryn A. Bard’s Encyclopaedia of the Archaeology of Ancient Egypt (2005) was of use.
The first Black professional basketball team “The Renaissance” organized in Harlem. They were known to their many fans and admirers as “The Rens” and they’ve been called “the greatest basketball team you never heard
Bronze figure of a seated cat, From Saqqara, Egypt. Late Period, after 600 BC.
The sacred representation of the goddess Bastet
The domesticated cat is probably associated more with ancient Egypt than any other culture in the world. This cat is a particularly fine example of the many statues of cats from ancient Egypt. It has gold rings, a silvered collar round its neck and a silver protective wedjat eye amulet.
The cat is mostly identified with the goddess Bastet, whose cult centre was at Bubastis in the Nile Delta. Bubastis became particularly important when its rulers became the kings of Egypt, forming the Twenty-second Dynasty, sometimes known as the ‘Libyan Dynasty’. The rise of the importance of Bastet and the cat can probably be dated to this period.
As with other creatures sacred to particular deities, it became very popular in the Late Period (661-332 BC) to bury mummies of cats in special cemeteries as a sign of devotion to the goddess. A number of cat cemeteries are known from Egypt. See, for example, a cat mummy dating to the first century AD from Abydos. (x)
The End of Prohibition: A thirsty crowd lines up for legal beers outside the Belmont Grill, 464 S. Main Street, Los Angeles, 1933.
Great Sphinx of Giza (via)
Pair of armbands, Hellenistic, ca. 200 b.c.
These imposing serpentine armbands represent two tritons, male and female, each holding a small winged Eros. The hoops behind the tritons’ heads were used to attach the armbands to the sleeves of a garment, for otherwise their weight (each over 6 1/2 ounces) would have caused them to slip down the arms.
Colonel Carmen Amelia Robles, Afro Mexican Woman Leader in the Mexican Revolution
january 27 is holocaust remembrance day. it was on this day in 1945 that the soviet army liberated auschwitz concentration camp. it is estimated that at least 1.3 million people were deported to auschwitz between 1940 and 1945. of these, a minimum of 1.1 million were murdered.
it’s worth noting that the u.s. state department knew about the genocide as early as 1942, but actively sought to suppress its public knowledge. also of note, the war department declined to bomb the extermination facilities and the railway lines leading to auschwitz because it was deemed “too far a flight”, even though u.s. bombers flew directly over the camp to bomb oil factories only 5km away.
in 1955, an exhibition at the camp opened to the public, displaying such things as prisoner mug shots; hair (of which almost eight tonnes was found by the red army) and shoes taken from murdered prisoners; and canisters of zyklon b pellets used for gassing.
the sign seen at the gates of base camp reads arbeit macht frei, or “work makes you free”. built by prisoner-labourers, there is speculation the upside down ‘B’ was done on purpose as a signal to new arrivals about what was actually happening behind the facility’s gates.
to learn more, see “auschwitz: the nazis and ‘the final solution" (bbc, 2005), "escape from auschwitz" (secrets of the dead, 2011), "america and the holocaust: deceit and indifference" (american experience, 1994) (william j vanden heuvel’s response), and “god on trial" (masterpiece, 2008). photos by bruno tamiozzo